— THE BUSINESS · GUIDE

The Actor's Résumé

Everything you need to know to build a résumé that works — from your very first credit to your hundredth.

The basics


An actor's résumé is not like any other résumé you've written. The format is specific, the rules are consistent, and once you understand the structure it becomes second nature.

Headshot printed upper right.

Small — it shouldn't cut into your content. Printed directly on the page, not attached separately.

Three column format.

Every row of experience reads: Production · Role · Company or Director

One page, always.

No exceptions, no matter how much experience you have.

The sections


The order of your sections matters — lead with whatever is most relevant to what you're submitting for.

Theater
Stage experience, community theater, school productions, MainStage roles. Lead with this section if you're pursuing stage work. List your most significant or most recent productions first.
Film / TV
On-camera credits. Lead with this if you're pursuing film and TV work. As your credits grow you may want to break this down by type — SAG productions, student film, commercial, short film, music video.
Training
Acting classes, voice coaching, dance studios, workshops, intensives. Break into subcategories — Acting, Voice, Dance — and include the instructor's name in the third column. For newer performers this section is often the largest. That's completely fine.
Achievements
Awards, competition wins, recognition. Give this its own section when you have them. School awards, choral honors, film festival recognition — it all belongs here.
Special Skills
Be specific. Accents you can perform convincingly, sports you play seriously, instruments, unique physical abilities — tumbling, acrobatics, stage combat. If you're submitting for a specific role and your skills are directly relevant, make sure they're easy to find.

Contact info


Your contact information goes at the top of the résumé. Include your name, phone number, email address, any casting platform profiles, and your YouTube handle if you have performance content there.

If you're represented by an agent, include their contact information as well.

If you're agent-represented
If you self-submit for a role while represented, check with your agent before accepting anything. Negotiations submitted through your agent are handled by your agent — mixing the two can cause complications.

Keeping it current


Track every credit, director's name, production company, and training experience — even the small ones. Your master document is your archive. Your résumé is your curated highlight reel pulled from it.

Keep a master document.

Update when it matters.

A new training program, a featured role, a notable director, a competition result. Also update any time you're submitting for something specific.

Cut to stay on one page.

Every row of experience reads: Production · Role · Company or Director

A note for beginners


If your résumé feels thin, that's normal. School plays, choir, awards, competitions — it all belongs on the page. Chamber choir, choral student of the year, solo performances, school musicals — these are legitimate credits and deserve to be listed.

Training is experience. Every class you've taken, every stage you've stood on, every coach who's worked with you — it all goes on the page. The résumé grows as you do. Start with what you have.

Example Résumé


Here's what a well-formatted actor's résumé looks like in practice. All personal details have been changed — the structure, sections, and formatting are what matter.

Alex Performer
Parent Contact: Parent Name | parent@email.com | 555.555.5555
Height: 62" | Hair: Brown | Eyes: Green | YouTube: @alexperformer
Working Vocal Range: Eb3–B5/C6 | Representation: Agent Name | Region
👤
Theater Performances
Descendants
Mal
Local Children's Theater
Moana Jr.
Maui
Local Children's Theater
Matilda Jr.
Matilda
Local Children's Theater
Frozen Jr. (Four Times)
Kristoff / Yg. Elsa / Ensemble
Multiple Companies
A Christmas Carol (Twice)
Belinda / Fezzi / Mrs. Cratchet
Regional Theater
Aladdin Jr.
Genie
Community Theater Co.
Winnie the Pooh Jr.
Pooh
Local Children's Theater
Beauty & The Beast Jr.
Gaston
Local Children's Theater
Shrek the Musical Jr.
Lord Farquad
MT Academy
Film
A Day With Grandpa
Lead Actor
Director M. Walsh
Lost Boys Cover Music Video
Lead / Singer
Production Company
How to Get Back to the Forest
Featured Background
Director A. Clemos
Training
Acting / Film:
Advanced Acting Technique
20-Week Masterclass
Coach Name, Studio
Voice:
Private Voice Lessons
Voice Studio
Coach Name
Dance:
Advanced Ballet
Dance Studio
Instructor Name
Achievements
Best Young Actress Award — Regional Film Festival
Choral Student of the Year — Middle School
Special Skills
Ballet / Hip-Hop / Jazz · Mezzo-Soprano · British RP · Soccer (10 yrs) · Tumbling · Swimming · Rollerskating

EXAMPLE — ANONYMIZED FOR PRIVACY

How to read this résumé
Three columns: Production · Role · Company or Director
Theater first if pursuing stage; Film first if pursuing on-camera
Headshot upper right — small, doesn't cut into content
Training counts — especially for newer performers
Achievements get their own section when you have them
Special skills should be specific and relevant
Always one page — cut older credits as you grow
Contact info at top; agent info included if represented